Rob de Loe wrote:
Rob de Loe wrote:
I haven't changed my mind on my conclusion from that other thread about the 50R and 100S, i.e., get the 100S for IBIS and reduced aliasing; don't get it because you're hoping 100 MP will make a huge difference relative to 50 MP in your work.
Let me add one more potentially very important benefit of the sensor in the GFX 100S... This is what a large shift with a lens whose rear end is very close to the sensor (Mamiya N 43mm f/4.5 L). On the left is the 100S and on the right is the 50R, 25mm of shift. The darkening is light falloff (I'm at the edge of the image circle here). Notice how much magenta there is in the 50R image (Right). There's none I can see in the 100S image (Left). This is a huge benefit if you use lenses that are prone to colour cast.
